“The 70s were not merely an artistic stage for Glyn Hughes,” say organisers of an upcoming Cyprus exhibition, “rather they marked a profound shift: from western observer to an embedded witness of the Cypriot experience.
“Through his Synergy actions and the works that emerged in pre-war and post-war Cyprus , Hughes’ practice evolved toward a meta-political expression; not overtly ideological, but deeply emotional, corporeal and embodied. His studio became a
