By Rachel Williamson
Following the global success of down-under comedies What We Do in the Shadows and Flight of the Conchords , Antipodean humour has quickly become associated with the deadpan and self-deprecating. Natalie Bailey’s 2024 directorial debut Audrey is a welcome – albeit more barbed and prickly – addition to the genre.
Tightly paced, with an excellent script by Lou Sanz, Audrey is clearly influenced by PJ Hogan’s 1994